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The Princess and the Goblin

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The Princess and the Goblin

By George MacDonald.

Table of Contents

  1. Titlepage
  2. Imprint
  3. I: Why the Princess Has a Story About Her
  4. II: The Princess Loses Herself
  5. III: The Princess and—We Shall See Who
  6. IV: What the Nurse Thought of It
  7. V: The Princess Lets Well Alone
  8. VI: The Little Miner
  9. VII: The Mines
  10. VIII: The Goblins
  11. IX: The Hall of the Goblin Palace
  12. X: The Princess’s King-Papa
  13. XI: The Old Lady’s Bedroom
  14. XII: A Short Chapter About Curdie
  15. XIII: The Cobs’ Creatures
  16. XIV: That Night Week
  17. XV: Woven and Then Spun
  18. XVI: The Ring
  19. XVII: Springtime
  20. XVIII: Curdie’s Clue
  21. XIX: Goblin Counsels
  22. XX: Irene’s Clue
  23. XXI: The Escape
  24. XXII: The Old Lady and Curdie
  25. XXIII: Curdie and His Mother
  26. XXIV: Irene Behaves Like a Princess
  27. XXV: Curdie Comes to Grief
  28. XXVI: The Goblin-Miners
  29. XXVII: The Goblins in the King’s House
  30. XXVIII: Curdie’s Guide
  31. XXIX: Masonwork
  32. XXX: The King and the Kiss
  33. XXXI: The Subterranean Waters
  34. XXXII: The Last Chapter
  35. Colophon
  36. Uncopyright

Imprint

The Standard Ebooks logo.

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at Google Books.

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

I

Why the Princess Has a Story About Her

There was once a little princess whose father was king over a great country full of mountains and valleys. His palace was built upon one of the mountains, and was very grand and beautiful. The princess, whose name was Irene, was born there, but she was sent soon after her birth, because her mother was not very strong, to be brought up by country people in a large house, half castle, half farmhouse, on the side of another mountain, about halfway between its base and its peak.

The princess was a sweet little creature, and at the time my story begins was about eight years old, I think, but she got older very fast. Her face was fair and pretty, with eyes like two bits of night sky, each with a star dissolved in the blue. Those eyes you would have thought must have known they came from there, so often were they turned up in that direction. The ceiling of her nursery was blue, with stars in it, as like the sky as they could make it. But I doubt if ever she saw the real sky with the stars in it, for a reason which I had better mention at once.

These mountains were full of hollow places underneath; huge caverns, and winding ways, some with water running through them, and some shining with all colours of the rainbow when a light was taken in. There would not have been much known about them, had there not been mines there, great deep pits, with long galleries and passages running off from them, which had been dug to get at the ore of which the mountains were full. In the course of digging, the miners came upon many of these natural caverns. A few of them had far-off openings out on the side of a mountain, or into a ravine.

Now in these subterranean caverns lived a strange race of beings, called by some gnomes, by some kobolds, by some goblins. There was a legend current in the country that at one time they lived above ground, and were very like other people. But for some reason or other, concerning which there were different legendary theories, the king had laid what they thought too severe taxes upon them, or had required observances of them they did not like, or had begun to treat them with more severity, in some way or other, and impose stricter laws; and the consequence was that they had all disappeared from the face of the country. According to the legend, however, instead of going to some other country, they had all taken refuge in the subterranean caverns, whence they never came out but at night, and then seldom showed themselves in any numbers, and never to many people at once. It was only in the least frequented and most difficult parts of the mountains that they were said to gather even at night in the open air. Those who had caught sight of any of them said that they had greatly altered in the course of generations; and no wonder, seeing they lived away from the sun, in cold and wet and dark places. They were now, not ordinarily ugly, but either absolutely hideous, or ludicrously grotesque both in face and form. There was no invention, they said, of the most lawless imagination expressed by pen or pencil, that could surpass the extravagance of their appearance. But I suspect those who said so had mistaken some of their animal companions for the goblins themselves⁠—of which more by and by. The goblins themselves were not so far removed from the human as such a description would imply. And as they grew misshapen in body they had grown in knowledge and cleverness, and now were able to do things no mortal


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