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Gitanjali

Часть 1 из 16 Информация о книге

Gitanjali

By Rabindranath Tagore.

Table of Contents

  1. Titlepage
  2. Imprint
  3. Introduction
    1. II
    2. III
  4. Gitanjali
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
    18. XVIII
    19. XIX
    20. XX
    21. XXI
    22. XXII
    23. XXIII
    24. XXIV
    25. XXV
    26. XXVI
    27. XXVII
    28. XXVIII
    29. XXIX
    30. XXX
    31. XXXI
    32. XXXII
    33. XXXIII
    34. XXXIV
    35. XXXV
    36. XXXVI
    37. XXXVII
    38. XXXVIII
    39. XXXIX
    40. XL
    41. XLI
    42. XLII
    43. XLIII
    44. XLIV
    45. XLV
    46. XLVI
    47. XLVII
    48. XLVIII
    49. XLIX
    50. L
    51. LI
    52. LII
    53. LIII
    54. LIV
    55. LV
    56. LVI
    57. LVII
    58. LVIII
    59. LIX
    60. LX
    61. LXI
    62. LXII
    63. LXIII
    64. LXIV
    65. LXV
    66. LXVI
    67. LXVII
    68. LXVIII
    69. LXIX
    70. LXX
    71. LXXI
    72. LXXII
    73. LXXIII
    74. LXXIV
    75. LXXV
    76. LXXVI
    77. LXXVII
    78. LXXVIII
    79. LXXIX
    80. LXXX
    81. LXXXI
    82. LXXXII
    83. LXXXIII
    84. LXXXIV
    85. LXXXV
    86. LXXXVI
    87. LXXXVII
    88. LXXXVIII
    89. LXXXIX
    90. XC
    91. XCI
    92. XCII
    93. XCIII
    94. XCIV
    95. XCV
    96. XCVI
    97. XCVII
    98. XCVIII
    99. XCIX
    100. C
    101. CI
    102. CII
    103. CIII
  5. Colophon
  6. Uncopyright

Imprint

The Standard Ebooks logo.

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at the HathiTrust Digital Library.

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

Introduction

A few days ago I said to a distinguished Bengali doctor of medicine, “I know no German, yet if a translation of a German poet had moved me, I would go to the British Museum and find books in English that would tell me something of his life, and of the history of his thought. But though these prose translations from Rabindranath Tagore have stirred my blood as nothing has for years, I shall not know anything of his life, and of the movements of thought that have made them possible, if some Indian traveller will not tell me.” It seemed to him natural that I should be moved, for he said, “I read Rabindranath every day, to read one line of his is to forget all the troubles of the world.” I said, “An Englishman living in London in the reign of Richard the Second had he been shown translations from Petrarch or from Dante, would have found no books to answer his questions, but would have questioned some Florentine banker or Lombard merchant as I question you. For all I know, so abundant and simple is this poetry, the new renaissance has been born in your country and I shall never know of it except by hearsay.” He answered, “We have other poets, but none that are his equal; we call this the epoch of Rabindranath. No poet seems to me as famous in Europe as he is among us. He is as great in music as in poetry, and his songs are sung from the west of India into Burma wherever Bengali is spoken. He was already famous at nineteen when he wrote his first novel; and plays when he was but little older, are still played in Calcutta. I so much admire the completeness of his life; when he was very young he wrote much of natural objects, he would sit all day in his garden; from his twenty-fifth year or so to his thirty-fifth perhaps, when he had a great sorrow, he wrote the most beautiful love poetry in our language”; and then he said with deep emotion, “words can never express what I owed at seventeen to his love poetry. After that his art grew deeper, it became religious and philosophical; all the inspiration of mankind are in his hymns. He is the first among our saints who has not refused to live, but has spoken out of Life itself, and that is why we give him our love.” I may have changed his well-chosen words in my memory but not his thought. “A little while ago he was to read divine service in one of our churches⁠—we of the Brahma Samaj use your word ‘church’ in English⁠—it was the largest in Calcutta and not only was it crowded, but the streets were all but impassable because of the people.”

Other Indians came to see me and their reverence for this man sounded strange in our world, where we hide great and little things under the same veil of obvious comedy and half-serious depreciation. When we were making the cathedrals had we a like reverence for our great men? “Every morning at three⁠—I know, for I have seen it”⁠—one said to me, “he sits immovable in contemplation, and for two hours does not awake from his reverie upon the nature of God. His father, the Maha Rishi, would sometimes sit there all through the next day; once, upon a river, he fell into contemplation because of the beauty of the landscape, and the rowers waited for eight hours before they could continue their journey.” He then told me of Mr. Tagore’s family and how for generations


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