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Short Fiction

Часть 1 из 190 Информация о книге

Short Fiction

By Robert E. Howard.

Table of Contents

  1. Titlepage
  2. Imprint
  3. Spear and Fang
  4. In the Forest of Villefère
  5. Wolfshead
  6. After the Game
  7. Sleeping Beauty
  8. Weekly Short Story
  9. Gods of the North
  10. Shadows in the Moonlight
    1. I
    2. II
    3. III
    4. IV
  11. Queen of the Black Coast
    1. I: Conan Joins the Pirates
    2. II: The Black Lotus
    3. III: The Horror in the Jungle
    4. IV: The Attack from the Air
    5. V: The Funeral Pyre
  12. The Devil in Iron
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
  13. The People of the Black Circle
    1. I: Death Strikes a King
    2. II: A Barbarian from the Hills
    3. III: Khemsa Uses Magic
    4. IV: An Encounter in the Pass
    5. V: The Black Stallion
    6. VI: The Mountain of the Black Seers
    7. VII: On to Yimsha
    8. VIII: Yasmina Knows Stark Terror
    9. IX: The Castle of the Wizards
    10. X: Yasmina and Conan
  14. A Witch Shall Be Born
    1. I: The Blood-Red Crescent
    2. II: The Tree of Death
    3. III: A Letter to Nemedia
    4. IV: Wolves of the Desert
    5. V: The Voice from the Crystal
    6. VI: The Vulture’s Wings
  15. Jewels of Gwahlur
    1. I: Paths of Intrigue
    2. II: Goddess Awakens
    3. III: The Return of the Oracle
    4. IV: The Teeth of Gwahlur
  16. Beyond the Black River
    1. I: Conan Loses His Ax
    2. II: The Wizard of Gwawela
    3. III: The Crawlers in the Dark
    4. IV: The Beasts of Zogar Sag
    5. V: The Children of Jhebbal Sag
    6. VI: Red Axes of the Border
    7. VII: The Devil in the Fire
    8. VIII: Conajohara No More
  17. Shadows in Zamboula
    1. I: A Drum Begins
    2. II: The Night Skulkers
    3. III: Black Hands Gripping
    4. IV: Dance, Girl, Dance!
  18. Red Nails
    1. I: The Skull on the Crag
    2. II: By the Blaze of the Fire-Jewels
    3. III: The People of the Feud
    4. IV: Scent of Black Lotus
    5. V: Twenty Red Nails
    6. VI: The Eyes of Tascela
    7. VII: He Comes from the Dark
  19. The Hyborian Age
  20. Colophon
  21. Uncopyright

Imprint

The Standard Ebooks logo.

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcriptions produced for Project Gutenberg and on digital scans available at the Internet Archive and SFF Audio.

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

Spear and Fang

A Tale of the Cavemen

A‑æa crouched close to the cave month, watching Ga‑nor with wondering eyes. Ga‑nor’s occupation interested her, as well as Ga‑nor himself. As for Ga‑nor, he was too occupied with his work to notice her. A torch stuck in a niche in the cave wall dimly illuminated the roomy cavern, and by its light Ga‑nor was laboriously tracing figures on the wall. With a piece of flint he scratched the outline and then with a twig dipped in ocher paint completed the figure. The result was crude, but gave evidence of real artistic genius, struggling for expression.

It was a mammoth that he sought to depict, and little A‑æa’s eyes widened with wonder and admiration. Wonderful! What though the beast lacked a leg and had no tail? It was tribesmen, just struggling out of utter barbarism, who were the critics, and to them Ga‑nor was a past master.

However, it was not to watch the reproduction of a mammoth that A‑æa hid among the scanty bushes by Ga‑nor’s cave. The admiration for the painting was as nothing beside the look of positive adoration with which she favored the artist. Indeed, Ga‑nor was not unpleasing to the eye. Tall he was, towering well over six feet, leanly built, with mighty shoulders and narrow hips, the build of a fighting man. Both his hands and his feet were long and slim; and his features, thrown into bold profile by the flickering torchlight, were intelligent, with a high, broad forehead, topped by a mane of sandy hair.

A‑æa herself was very easy to look upon. Her hair, as well as her eyes, was black and fell about her slim shoulders in a rippling wave. No ocher tattooing tinted her cheek, for she was still unmated.

Both the girl and the youth were perfect specimens of the great Cro-Magnon race which came from no man knows where and announced and enforced their supremacy over beast and beast-man.

A‑æa glanced about nervously. All ideas to the contrary, customs and taboos are much more narrow and vigorously enforced among savage peoples.

The more primitive a race, the more intolerant their customs. Vice and licentiousness may be the rule, but the appearance of vice is shunned and contemned. So if A‑æa had been discovered, hiding near the cave of an unattached young man, denunciation as a shameless woman would have been her lot, and doubtless a public whipping.

To be proper, A‑æa should have played the modest, demure maiden, perhaps skilfully arousing the young artist’s interest without seeming to do so. Then, if the youth was pleased, would have followed public wooing by means of crude love-songs and music from reed pipes. Then barter with her parents and then⁠—marriage. Or no wooing at all, if the lover was wealthy.

But little A‑æa was herself a mark of progress. Covert


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