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Short Fiction

Часть 1 из 159 Информация о книге

Short Fiction

By M. R. James.

Table of Contents

  1. Titlepage
  2. Imprint
  3. Canon Alberic’s Scrapbook
  4. Lost Hearts
  5. The Mezzotint
  6. The Ash-Tree
  7. Number 13
  8. Count Magnus
  9. “Oh, Whistle, and I’ll Come to You, My Lad”
  10. The Treasure of Abbot Thomas
    1. I
    2. II
    3. III
  11. A School Story
  12. The Rose Garden
  13. The Tractate Middoth
  14. Casting the Runes
  15. The Stalls of Barchester Cathedral
  16. Martin’s Close
  17. Mr. Humphreys and His Inheritance
  18. The Residence at Whitminster
  19. The Diary of Mr. Poynter
  20. An Episode of Cathedral History
  21. The Story of a Disappearance and an Appearance
    1. Letter I
    2. Letter II
    3. Letter III
    4. Letter IV
  22. Two Doctors
  23. The Haunted Dolls’ House
  24. The Uncommon Prayerbook
    1. I
    2. II
    3. III
    4. IV
  25. A Neighbour’s Landmark
  26. A View from a Hill
  27. A Warning to the Curious
  28. An Evening’s Entertainment
  29. Endnotes
  30. List of Illustrations
  31. Colophon
  32. Uncopyright

Imprint

The Standard Ebooks logo.

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at the Internet Archive and the HathiTrust Digital Library.

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

Canon Alberic’s Scrapbook

St. Bertrand de Comminges is a decayed town on the spurs of the Pyrenees, not very far from Toulouse, and still nearer to Bagnères-de-Luchon. It was the site of a bishopric until the Revolution, and has a cathedral which is visited by a certain number of tourists. In the spring of 1883 an Englishman arrived at this old-world place⁠—I can hardly dignify it with the name of city, for there are not a thousand inhabitants. He was a Cambridge man, who had come specially from Toulouse to see St. Bertrand’s Church, and had left two friends, who were less keen archaeologists than himself, in their hotel at Toulouse, under promise to join him on the following morning. Half an hour at the church would satisfy them, and all three could then pursue their journey in the direction of Auch. But our Englishman had come early on the day in question, and proposed to himself to fill a notebook and to use several dozens of plates in the process of describing and photographing every corner of the wonderful church that dominates the little hill of Comminges. In order to carry out this design satisfactorily, it was necessary to monopolize the verger of the church for the day. The verger or sacristan (I prefer the latter appellation, inaccurate as it may be) was accordingly sent for by the somewhat brusque lady who keeps the inn of the Chapeau Rouge; and when he came, the Englishman found him an unexpectedly interesting object of study. It was not in the personal appearance of the little, dry, wizened old man that the interest lay, for he was precisely like dozens of other church-guardians in France, but in a curious furtive, or rather hunted and oppressed, air which he had. He was perpetually half glancing behind him; the muscles of his back and shoulders seemed to be hunched in a continual nervous contraction, as if he were expecting every moment to find himself in the clutch of an enemy. The Englishman hardly knew whether to put him down as a man haunted by a fixed delusion, or as one oppressed by a guilty conscience, or as an unbearably henpecked husband. The probabilities, when reckoned up, certainly pointed to the last idea; but, still, the impression conveyed was that of a more formidable persecutor even than a termagant wife.

However, the Englishman (let us call him Dennistoun) was soon too deep in his notebook and too busy with his camera to give more than an occasional glance to the sacristan. Whenever he did look at him, he found him at no great distance, either huddling himself back against the wall or crouching in one of the gorgeous stalls. Dennistoun became rather fidgety after a time. Mingled suspicions that he was keeping the old man from his déjeuner, that he was regarded as likely to make away with St. Bertrand’s ivory crozier, or with the dusty stuffed crocodile that hangs over the font, began to torment him.

“Won’t you go home?” he said at last; “I’m quite well able to finish my notes alone; you can lock me in if you like. I shall want at least two hours more here, and it must be cold for you, isn’t it?”

“Good heavens!” said the little man, whom the suggestion seemed to throw into a state of unaccountable terror, “such a thing cannot be thought of for a moment. Leave monsieur alone in the church? No, no; two hours, three hours, all will be the same to me. I have breakfasted, I am not at all cold, with many thanks to monsieur.”

“Very well, my little man,” quoth Dennistoun to himself: “you have been warned, and you must take the consequences.”

Before the expiration of the two hours, the stalls, the enormous dilapidated organ, the choir-screen of Bishop John de Mauléon, the remnants of glass and tapestry, and the objects in the treasure-chamber, had been well and truly examined; the sacristan still keeping at Dennistoun’s heels, and every now and then whipping round as if he had been stung, when one or other of the strange noises that trouble a large


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