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Howards End

Часть 1 из 106 Информация о книге

Howards End

By E. M. Forster.

Table of Contents

  1. Titlepage
  2. Imprint
  3. I
  4. II
  5. III
  6. IV
  7. V
  8. VI
  9. VII
  10. VIII
  11. IX
  12. X
  13. XI
  14. XII
  15. XIII
  16. XIV
  17. XV
  18. XVI
  19. XVII
  20. XVIII
  21. XIX
  22. XX
  23. XXI
  24. XXII
  25. XXIII
  26. XXIV
  27. XXV
  28. XXVI
  29. XXVII
  30. XXVIII
  31. XXIX
  32. XXX
  33. XXXI
  34. XXXII
  35. XXXIII
  36. XXXIV
  37. XXXV
  38. XXXVI
  39. XXXVII
  40. XXXVIII
  41. XXXIX
  42. XL
  43. XLI
  44. XLII
  45. XLIII
  46. XLIV
  47. Colophon
  48. Uncopyright

Imprint

The Standard Ebooks logo.

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at Google Books.

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

I

One may as well begin with Helen’s letters to her sister.

“Howards End,

“Tuesday.

“Dearest Meg,

“It isn’t going to be what we expected. It is old and little, and altogether delightful⁠—red brick. We can scarcely pack in as it is, and the dear knows what will happen when Paul (younger son) arrives tomorrow. From hall you go right or left into dining-room or drawing-room. Hall itself is practically a room. You open another door in it, and there are the stairs going up in a sort of tunnel to the first floor. Three bedrooms in a row there, and three attics in a row above. That isn’t all the house really, but it’s all that one notices⁠—nine windows as you look up from the front garden.

“Then there’s a very big wych-elm⁠—to the left as you look up⁠—leaning a little over the house, and standing on the boundary between the garden and meadow. I quite love that tree already. Also ordinary elms, oaks⁠—no nastier than ordinary oaks⁠—pear-trees, apple-trees, and a vine. No silver birches, though. However, I must get on to my host and hostess. I only wanted to show that it isn’t the least what we expected. Why did we settle that their house would be all gables and wiggles, and their garden all gamboge-coloured paths? I believe simply because we associate them with expensive hotels⁠— Mrs. Wilcox trailing in beautiful dresses down long corridors, Mr. Wilcox bullying porters, etc. We females are that unjust.

“I shall be back Saturday; will let you know train later. They are as angry as I am that you did not come too; really Tibby is too tiresome, he starts a new mortal disease every month. How could he have got hay fever in London? and even if he could, it seems hard that you should give up a visit to hear a schoolboy sneeze. Tell him that Charles Wilcox (the son who is here) has hay fever too, but he’s brave, and gets quite cross when we inquire after it. Men like the Wilcoxes would do Tibby a power of good. But you won’t agree, and I’d better change the subject.

“This long letter is because I’m writing before breakfast. Oh, the beautiful vine leaves! The house is covered with a vine. I looked out earlier, and Mrs. Wilcox was already in the garden. She evidently loves it. No wonder she sometimes looks tired. She was watching the large red poppies come out. Then she walked off the lawn to the meadow, whose corner to the right I can just see. Trail, trail, went her long dress over the sopping grass, and she came back with her hands full of the hay that was cut yesterday⁠—I suppose for rabbits or something, as she kept on smelling it. The air here is delicious. Later on I heard the noise of croquet balls, and looked out again, and it was Charles Wilcox practising; they are keen on all games. Presently he started sneezing and had to stop. Then I hear more clicketing, and it is Mr. Wilcox practising, and then, ‘a-tissue, a-tissue’: he has to stop too. Then Evie comes out, and does some calisthenic exercises on a machine that is tacked on to a greengage-tree⁠—they put everything to use⁠—and then she says ‘a-tissue,’ and in she goes. And finally Mrs. Wilcox reappears, trail, trail, still smelling hay and looking at the flowers. I inflict all this on you because once you said that life is sometimes life and sometimes only a drama, and one must learn to distinguish tother from which, and up to now I have always put that down as ‘Meg’s clever nonsense.’ But this morning, it really does seem not life but a play, and it did amuse me enormously to watch the W.’s. Now Mrs. Wilcox has come in.

“I am going to wear [omission]. Last night Mrs. Wilcox wore an [omission], and Evie [omission]. So it isn’t exactly a go-as-you-please place, and if you shut your eyes it still seems the wiggly hotel that we expected. Not if you open them. The dog-roses are too sweet. There is a great hedge of them over the lawn⁠—magnificently tall, so that they fall down in garlands, and nice and thin at the bottom, so that you can see ducks through it and a cow. These belong to the farm, which is the only house near us. There goes the breakfast gong.


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