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The Three Musketeers

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The Three Musketeers

By Alexandre Dumas.

Translated by William Robson.

Table of Contents

  1. Titlepage
  2. Imprint
  3. Author’s Preface
  4. The Three Musketeers
    1. I: The Three Presents of d’Artagnan the Elder
    2. II: The Antechamber of M. de Tréville
    3. III: The Audience
    4. IV: The Shoulder of Athos, the Baldric of Porthos and the Handkerchief of Aramis
    5. V: The Kings’s Musketeers and the Cardinal’s Guards
    6. VI: His Majesty King Louis XIII
    7. VII: The Housekeeping of the Musketeers
    8. VIII: Concerning a Court Intrigue
    9. IX: d’Artagnan Shows Himself
    10. X: A Mousetrap in the Seventeenth Century
    11. XI: In Which the Plot Thickens
    12. XII: George Villiers, Duke of Buckingham
    13. XIII: Monsieur Bonacieux
    14. XIV: The Man of Meung
    15. XV: Men of the Robe and Men of the Sword
    16. XVI: In Which M. Séguier, Keeper of the Seals, Looks More Than Once for the Bell, in Order to Ring It, as He Did Before
    17. XVII: Bonacieux at Home
    18. XVIII: Lover and Husband
    19. XIX: Plan of Campaign
    20. XX: The Journey
    21. XXI: The Comtesse de Winter
    22. XXII: The Ballet of La Merlaison
    23. XXIII: The Rendezvous
    24. XXIV: The Pavillion
    25. XXV: Porthos
    26. XXVI: Aramis and His Thesis
    27. XXVII: The Wife of Athos
    28. XXVIII: The Return
    29. XXIX: Hunting for the Equipments
    30. XXX: Milady
    31. XXXI: English and French
    32. XXXII: A Procurator’s Dinner
    33. XXXIII: Soubrette and Mistress
    34. XXXIV: In Which the Equipment of Aramis and Porthos Is Treated Of
    35. XXXV: All Cats Are Grey in the Dark
    36. XXXVI: Dream of Vengeance
    37. XXXVII: Milady’s Secret
    38. XXXVIII: How, Without Incommoding Himself, Athos Procures His Equipment
    39. XXXIX: A Vision
    40. XL: A Terrible Vision
    41. XLI: The Seige of La Rochelle
    42. XLII: The Anjou Wine
    43. XLIII: The Sign of the Red Dovecot
    44. XLIV: The Utility of Stovepipes
    45. XLV: A Conjugal Scene
    46. XLVI: The Bastion of Saint-Gervais
    47. XLVII: The Council of the Musketeers
    48. XLVIII: A Family Affair
    49. XLIX: Fatality
    50. L: Chat Between Brother and Sister
    51. LI: Officer
    52. LII: Captivity: The First Day
    53. LIII: Captivity: The Second Day
    54. LIV: Captivity: The Third Day
    55. LV: Captivity: The Fourth Day
    56. LVI: Captivity: The Fifth Day
    57. LVII: Means for Classical Tragedy
    58. LVIII: Escape
    59. LIX: What Took Place at Portsmouth August 23, 1628
    60. LX: In France
    61. LXI: The Carmelite Convent at Béthune
    62. LXII: Two Varieties of Demons
    63. LXIII: The Drop of Water
    64. LXIV: The Man in the Red Cloak
    65. LXV: Judgment
    66. LXVI: Execution
    67. LXVII: Conclusion
  5. Epilogue
  6. Endnotes
  7. Colophon
  8. Uncopyright

Imprint

The Standard Ebooks logo.

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at the Internet Archive ( Volume 1 and Volume 2).

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

Author’s Preface

In which it is proved that, notwithstanding their names’ ending in os and is, the heroes of the story which we are about to have the honor to relate to our readers have nothing mythological about them.

A short time ago, while making researches in the Royal Library for my History of Louis XIV, I stumbled by chance upon the Memoirs of M. d’Artagnan, printed⁠—as were most of the works of that period, in which authors could not tell the truth without the risk of a residence, more or less long, in the Bastille⁠—at Amsterdam, by Pierre Rouge. The title attracted me; I took them home with me, with the permission of the guardian, and devoured them.

It is not my intention here to enter into an analysis of this curious work; and I shall satisfy myself with referring such of my readers as appreciate the pictures of the period to its pages. They will therein find portraits penciled by the hand of a master; and although these squibs may be, for the most part, traced upon the doors of barracks and the walls of cabarets, they will not find the likenesses of Louis XIII, Anne of Austria, Richelieu, Mazarin, and the courtiers of the period, less faithful than in the history of M. Anquetil.

But, it is well known, what strikes the capricious mind of the poet is not always what affects the mass of readers. Now, while admiring, as others doubtless will admire, the details we have to relate, our main preoccupation concerned a matter to which no one before ourselves had given a thought.

D’Artagnan relates that on his first visit to M. de Tréville, captain of the king’s Musketeers, he met in the antechamber three young men, serving in the illustrious corps into which he was soliciting the honor of being received, bearing the names of Athos, Porthos, and Aramis.

We must confess these three strange names struck us; and it immediately occurred to us that they were but pseudonyms, under which d’Artagnan had disguised names perhaps illustrious, or else that the bearers of these borrowed names had themselves chosen them on the day in which, from caprice, discontent, or want of fortune, they had donned the simple Musketeer’s uniform.

From that moment we had no


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