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Far from the Madding Crowd

Часть 1 из 135 Информация о книге

Far from the Madding Crowd

By Thomas Hardy.

Table of Contents

  1. Titlepage
  2. Imprint
  3. Preface
  4. Far from the Madding Crowd
    1. I: Description of Farmer Oak; An Incident
    2. II: Night; The Flock; An Interior; Another Interior
    3. III: A Girl on Horseback; Conversation
    4. IV: Gabriel’s Resolve; The Visit; The Mistake
    5. V: Departure of Bathsheba; A Pastoral Tragedy
    6. VI: The Fair; The Journey; The Fire
    7. VII: Recognition; A Timid Girl
    8. VIII: The Malthouse; The Chat; News
    9. IX: The Homestead; A Visitor; Half-Confidences
    10. X: Mistress and Men
    11. XI: Outside the Barracks; Snow; A Meeting
    12. XII: Farmers; A Rule; An Exception
    13. XIII: Sortes Sanctorum; The Valentine
    14. XIV: Effect of the Letter; Sunrise
    15. XV: A Morning Meeting; The Letter Again
    16. XVI: All Saints’ and All Souls’
    17. XVII: In the Market-Place
    18. XVIII: Boldwood in Meditation; Regret
    19. XIX: The Sheep-Washing; The Offer
    20. XX: Perplexity; Grinding the Shears; A Quarrel
    21. XXI: Troubles in the Fold; A Message
    22. XXII: The Great Barn and the Sheep-Shearers
    23. XXIII: Eventide; A Second Declaration
    24. XXIV: The Same Night; The Fir Plantation
    25. XXV: The New Acquaintance Described
    26. XXVI: Scene on the Verge of the Hay-Mead
    27. XXVII: Hiving the Bees
    28. XXVIII: The Hollow Amid the Ferns
    29. XXIX: Particulars of a Twilight Walk
    30. XXX: Hot Cheeks and Tearful Eyes
    31. XXXI: Blame; Fury
    32. XXXII: Night; Horses Tramping
    33. XXXIII: In the Sun; A Harbinger
    34. XXXIV: Home Again; A Trickster
    35. XXXV: At an Upper Window
    36. XXXVI: Wealth in Jeopardy; The Revel
    37. XXXVII: The Storm; The Two Together
    38. XXXVIII: Rain; One Solitary Meets Another
    39. XXXIX: Coming Home; A Cry
    40. XL: On Casterbridge Highway
    41. XLI: Suspicion; Fanny Is Sent For
    42. XLII: Joseph and His Burden; Buck’s Head
    43. XLIII: Fanny’s Revenge
    44. XLIV: Under a Tree; Reaction
    45. XLV: Troy’s Romanticism
    46. XLVI: The Gurgoyle: Its Doings
    47. XLVII: Adventures by the Shore
    48. XLVIII: Doubts Arise; Doubts Linger
    49. XLIX: Oak’s Advancement; A Great Hope
    50. L: The Sheep Fair; Troy Touches His Wife’s Hand
    51. LI: Bathsheba Talks with Her Outrider
    52. LII: Converging Courses
    53. LIII: Concurritur; Horae Momento
    54. LIV: After the Shock
    55. LV: The March Following; “Bathsheba Boldwood”
    56. LVI: Beauty in Loneliness; After All
    57. LVII: A Foggy Night and Morning; Conclusion
  5. Endnotes
  6. Colophon
  7. Uncopyright

Imprint

The Standard Ebooks logo.

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at the Internet Archive.

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

Preface

In reprinting this story for a new edition I am reminded that it was in the chapters of Far from the Madding Crowd, as they appeared month by month in a popular magazine, that I first ventured to adopt the word “Wessex” from the pages of early English history, and give it a fictitious significance as the existing name of the district once included in that extinct kingdom. The series of novels I projected being mainly of the kind called local, they seemed to require a territorial definition of some sort to lend unity to their scene. Finding that the area of a single county did not afford a canvas large enough for this purpose, and that there were objections to an invented name, I disinterred the old one. The press and the public were kind enough to welcome the fanciful plan, and willingly joined me in the anachronism of imagining a Wessex population living under Queen Victoria;⁠—a modern Wessex of railways, the penny post, mowing and reaping machines, union workhouses, lucifer matches, labourers who could read and write, and National School children. But I believe I am correct in stating that, until the existence of this contemporaneous Wessex was announced in the present story, in 1874, it had never been heard of, and that the expression, “a Wessex peasant,” or “a Wessex custom,” would theretofore have been taken to refer to nothing later in date than the Norman Conquest.

I did not anticipate that this application of the word to a modern use would extend outside the chapters of my own chronicles. But the name was soon taken up elsewhere as a local designation. The first to do so was the now defunct Examiner, which, in the impression bearing date July 15, 1876, entitled one of its articles “The Wessex Labourer,” the article turning out to be no dissertation on farming during the Heptarchy, but on the modern peasant of the south-west counties, and his presentation in these stories.

Since then the appellation which I had thought to reserve to the horizons and landscapes of a merely realistic dream-country, has become more and more popular as a practical definition; and the dream-country has, by degrees, solidified into a utilitarian region which people can go to, take a house in, and write to the papers from. But I ask all good and gentle readers to be so kind as to forget this, and to refuse steadfastly to believe that there are any inhabitants of a Victorian Wessex outside the pages of this and the companion volumes in which they


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