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Don Quixote

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Don Quixote

By Miguel de Cervantes Saavedra.

Translated by John Ormsby.

Table of Contents

  1. Titlepage
  2. Imprint
  3. Translator’s Preface
    1. I: About This Translation
    2. II: About Cervantes and Don Quixote
  4. Don Quixote
    1. Part I
      1. Dedication
      2. Preface
      3. Some Commendatory Verses
      4. I
      5. II
      6. III
      7. IV
      8. V
      9. VI
      10. VII
      11. VIII
      12. IX
      13. X
      14. XI
      15. XII
      16. XIII
      17. XIV
      18. XV
      19. XVI
      20. XVII
      21. XVIII
      22. XIX
      23. XX
      24. XXI
      25. XXII
      26. XXIII
      27. XXIV
      28. XXV
      29. XXVI
      30. XXVII
      31. XXVIII
      32. XXIX
      33. XXX
      34. XXXI
      35. XXXII
      36. XXXIII
      37. XXXIV
      38. XXXV
      39. XXXVI
      40. XXXVII
      41. XXXVIII
      42. XXXIX
      43. XL
      44. XLI
      45. XLII
      46. XLIII
      47. XLIV
      48. XLV
      49. XLVI
      50. XLVII
      51. XLVIII
      52. XLIX
      53. L
      54. LI
      55. LII
    2. Part II
      1. Dedication
      2. Preface
      3. I
      4. II
      5. III
      6. IV
      7. V
      8. VI
      9. VII
      10. VIII
      11. IX
      12. X
      13. XI
      14. XII
      15. XIII
      16. XIV
      17. XV
      18. XVI
      19. XVII
      20. XVIII
      21. XIX
      22. XX
      23. XXI
      24. XXII
      25. XXIII
      26. XXIV
      27. XXV
      28. XXVI
      29. XXVII
      30. XXVIII
      31. XXIX
      32. XXX
      33. XXXI
      34. XXXII
      35. XXXIII
      36. XXXIV
      37. XXXV
      38. XXXVI
      39. XXXVII
      40. XXXVIII
      41. XXXIX
      42. XL
      43. XLI
      44. XLII
      45. XLIII
      46. XLIV
      47. XLV
      48. XLVI
      49. XLVII
      50. XLVIII
      51. XLIX
      52. L
      53. LI
      54. LII
      55. LIII
      56. LIV
      57. LV
      58. LVI
      59. LVII
      60. LVIII
      61. LIX
      62. LX
      63. LXI
      64. LXII
      65. LXIII
      66. LXIV
      67. LXV
      68. LXVI
      69. LXVII
      70. LXVIII
      71. LXIX
      72. LXX
      73. LXXI
      74. LXXII
      75. LXXIII
      76. LXXIV
  5. Endnotes
  6. Colophon
  7. Uncopyright

Imprint

The Standard Ebooks logo.

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at the HathiTrust Digital Library.

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

Translator’s Preface

I

About This Translation

It was with considerable reluctance that I abandoned in favour of the present undertaking what had long been a favourite project: that of a new edition of Shelton’s Don Quixote, which has now become a somewhat scarce book. There are some⁠—and I confess myself to be one⁠—for whom Shelton’s racy old version, with all its defects, has a charm that no modern translation, however skilful or correct, could possess. Shelton had the inestimable advantage of belonging to the same generation as Cervantes; Don Quixote had to him a vitality that only a contemporary could feel; it cost him no dramatic effort to see things as Cervantes saw them; there is no anachronism in his language; he put the Spanish of Cervantes into the English of Shakespeare. Shakespeare himself most likely knew the book; he may have carried it home with him in his saddlebags to Stratford on one of his last journeys, and under the mulberry tree at New Place joined hands with a kindred genius in its pages.

But it was soon made plain to me that to hope for even a moderate popularity for Shelton was vain. His fine old crusted English would, no doubt, be relished by a minority, but it would be only by a minority. His warmest admirers must admit that he is not a satisfactory representative of Cervantes. His translation of the First Part was very hastily made and was never revised by him. It has all the freshness and vigour, but also a full measure of the faults, of a hasty production. It is often very literal⁠—barbarously literal frequently⁠—but just as often very loose. He had evidently a good colloquial knowledge of Spanish, but apparently not much more. It never seems to occur to him that the same translation of a word will not suit in every case.

It is often said that we have no satisfactory translation of Don Quixote. To those who are familiar with the original, it savours of truism or platitude to say so, for in truth there can be no thoroughly satisfactory translation of Don Quixote into English or any other language. It is not that the Spanish idioms are so utterly unmanageable, or that the untranslatable words, numerous enough no doubt, are so superabundant, but rather that the sententious terseness to which the humour of the book owes its flavour is peculiar to Spanish, and can at best be only distantly imitated in any other tongue.

The history of our English translations of Don Quixote is instructive. Shelton’s, the first in any language, was made, apparently, about 1608, but not published till 1612. This of course was only the First Part. It has been asserted that the Second, published in 1620, is not the work of Shelton, but there is nothing to support the assertion save the fact that it has less spirit, less of what we generally understand by “go,” about it than the first, which would be only natural if the first were the work of a young man writing currente calamo, and the second that of a middle-aged man writing for a bookseller.


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